Despite a surname that is practically synonymous with modern American cinema, Sofia Coppola didn’t want to be a film director. She tells Marc about her early career ambitions and how they inevitably led her into the family business. The two of them also discuss Sofia’s films, including The Virgin Suicides, Lost in Translation, Marie Antoinette, and her remake of a gritty 1970s Clint Eastwood movie, The Beguiled.
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